The Re-Perspective uses all the
existing knowledge and methods of perspective to put an image
or object from a certain picture at certain points in the space,
and therefore forms a visual perspective space chain. From this
perspective space chain, choose a certain point of image or
object as base image or object. From this base point, think,
analyze and choose a certain part or a point needed from a few
images or objects, and then rearrange the original position
of the selected base image or object based on their original
shapes. According to the perspective relationship of the new
image, continue to finish the painting of the edge line and
the selected parts and to form a new image or object.
This newly formed image
or object does exist in the real world, not being observed
by eyes, but achieved by observing through the Re-Perspective
method. Just as we observe microscopic living organisms existing
in the real world that cannot be seen by eyes with microscopes,
and distant planets with space telescope, the Re-Perspective
provides us a new possibility of method of observing and recognizing
images and objects.
The newly formed image
is not presented through the emotional expression, but achieved
by painting based on perspective rules and perspective analysis.
It has more sense of deconstruction. The artist chooses-deconstructs-reconstructs
the original image through the Re-Perspective method and principle,
which cannot be done by using imagination and emotion. The
judgement of the artist's personality and capability and the
expectation on the artist tend to be zero. Any change of the
work is caused by the perspective rules. At the same time,
the painting uses black and white. The marked sizes are the
enlarged and reduced sizes after the perspective, which show
the differences of the 2 images before and after the perspective.
In this way, the viewers can have stronger feelings about
the existence of the Re-Perspective.
The new image after the Re-Perspective
gives a strong sense of reality. It reminds us feeling and
associating with something about the object out of our vision
- his other side, maybe his side, back or multi sides. However,
the newly formed image seems to be a bit of d¨¦j¨¤ vu, familiar
but strange, to be him but not to be, an image close to the
object essence. It's like the artist could touch the soul
of the object, feel his temperature and the sore spot. Therefore
the newly formed image is called Soul Portrait. It is the
re-interpretation of the original image or object. It is the
change without changes. It is still him.