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About The Re-Perspective
 
The Re-Perspective uses all the existing knowledge and methods of perspective to put an image or object from a certain picture at certain points in the space, and therefore forms a visual perspective space chain. From this perspective space chain, choose a certain point of image or object as base image or object. From this base point, think, analyze and choose a certain part or a point needed from a few images or objects, and then rearrange the original position of the selected base image or object based on their original shapes. According to the perspective relationship of the new image, continue to finish the painting of the edge line and the selected parts and to form a new image or object.

This newly formed image or object does exist in the real world, not being observed by eyes, but achieved by observing through the Re-Perspective method. Just as we observe microscopic living organisms existing in the real world that cannot be seen by eyes with microscopes, and distant planets with space telescope, the Re-Perspective provides us a new possibility of method of observing and recognizing images and objects.

The newly formed image is not presented through the emotional expression, but achieved by painting based on perspective rules and perspective analysis. It has more sense of deconstruction. The artist chooses-deconstructs-reconstructs the original image through the Re-Perspective method and principle, which cannot be done by using imagination and emotion. The judgement of the artist's personality and capability and the expectation on the artist tend to be zero. Any change of the work is caused by the perspective rules. At the same time, the painting uses black and white. The marked sizes are the enlarged and reduced sizes after the perspective, which show the differences of the 2 images before and after the perspective. In this way, the viewers can have stronger feelings about the existence of the Re-Perspective.

The new image after the Re-Perspective gives a strong sense of reality. It reminds us feeling and associating with something about the object out of our vision - his other side, maybe his side, back or multi sides. However, the newly formed image seems to be a bit of dj vu, familiar but strange, to be him but not to be, an image close to the object essence. It's like the artist could touch the soul of the object, feel his temperature and the sore spot. Therefore the newly formed image is called Soul Portrait. It is the re-interpretation of the original image or object. It is the change without changes. It is still him.